Finding creators was never the expensive part. Remy runs everything after it.
It is everything after: the outreach, the chasing, the rate argued in a DM and lost by Friday, the brief written from a hunch.
All seven steps on one platform, AI assisted and human reviewed, at one published price per booking.
You name three creators you like. Remy finds others like them, messages them, agrees the rates, and the finished videos come back ready to run. Ninety seconds, nothing cut.
The creator engine, end to end · 1 min 36 sec
Every one started as a message Remy sent and a rate it negotiated. Tap to play.
Not creative mistakes. Decisions made on the wrong evidence, at three points where the right evidence exists.
Instead: average views across the last twelve posts, real view rate and cost per 1K views, with bot and fake engagement stripped out.
112K followers · 9.6K views · flaggedInstead: scripts and storyboards built from 32M+ ads, refreshed weekly for your category and matched to the creator's style.
One revision pass, not threeInstead: a component read in QuickAds Eve, scoring hook, opening frame, claim and format against your paid results.
Hook 86 · frame 64 · claim 41No retainer, and nothing added on top of what the creator is paid.
A creator films it, you own the footage and run it as your own ad. Audience size is irrelevant.
They post to their own audience. Smaller accounts, usually a far better view rate.
Reach plays. Fewer deals, bigger numbers, manual approval above your threshold.
Platform included when you buy videos, or $299 a month on its own. Try it for $1
Match on delivery rather than audience size. Pull average views from the last twelve posts, work out view rate against followers, compare engagement to peers and score audience fit. A 112,000-follower account averaging 9,600 views is a worse buy than a 46,800-follower account averaging 15,100: $102 against $49 per thousand views.
Four things have to happen: find and verify them, reach them on the channel they answer, agree a rate and delivery date in writing, and secure paid usage rights before filming. Instagram and TikTok creators answer DMs, YouTube creators answer the business email they list.
UGC video, where you own the footage and run it as your own ad, is $129. Gold creators with 5,000 to 50,000 followers are $299. Mega creators from 50,000 to 250,000 are $699. The creator fee is inside each price and nothing is added on top.
Stop tracking it separately. Once creator content runs as a partnership ad or Spark Ad from your own ad account, it carries the same cost-per-action and click metrics as every other ad and can be compared directly. Discount codes attribute cleanly but under-count.
Usually 10,000 to 100,000 followers, with nano below and macro above. The more useful distinction is what you are buying: content to run as your own ad, priced on the deliverable, or access to their audience, priced on reach.
Someone paid to make content for a brand to use as its own, rather than to post it to their own audience. Their follower count never enters the transaction, so you are buying production skill and a licence.
It depends which part of the job you need done. Discovery tools find creators and produce nothing. Marketplaces give access and add up to 20 percent to every creator payment. Agencies run it on a retainer. Remy covers all seven steps at a published price per booking.
Either. Connect your Instagram or TikTok and a sending address and Remy negotiates from your own handle under your cap, or take the fixed published price and there is no negotiation to run at all.
About twenty minutes, and the longest part is deciding your caps. Connect the accounts, set the budget and a cap per follower tier, seed the search with three handles or a CSV, then let Remy send.
No. The cap is set per follower tier and Remy negotiates down, never up. When a creator will not come under it, the thread stops and lands in your inbox rather than getting more expensive.
Start from what your paid account has already proved works, not from a trend. Decide whether you are buying content to run as your own ads or access to someone's audience, because those are priced differently. Set a cap per follower tier before outreach begins, and plan for the content to run as a partnership ad.
At four levels, in rising order of usefulness: engagement shows the audience reacted, codes and links attribute a subset of conversions, paid media metrics put creator content in the same table as the rest of your spend, and a component-level read shows which hook, frame and claim did the work. Only the last improves the next campaign.